“Rend your hearts and not your garments” (Joel 2:13). Rights holders to obtain written permission, then the College Art Association.HOLY MASS, BLESSING AND IMPOSITION OF THE ASHES For other uses, please first contact the individual author and/or other Limited-term nonprofit educational use in coursepacks or closed-access academicĬourse Intranet websites, is granted by the College Art Association withoutĬharge. Permitted by sections 107 and 108 of the U.S. Honors accomplishments of artists, art historians, and critics.Īrticulates and affirms the highest ethical standards in the conduct ofĪuthorization to photocopy texts for internal or personal use (beyond that Identifies andĭevelops sources of funding for the practice of art and for scholarship in

Provides opportunities for publication of scholarship, criticism, and artists'įosters career development and professional advancement.

Speaks for the membership on issues affecting the visual arts and humanities. Of the visual arts and in creativity and technical skill in the teaching andįacilitates the exchange of ideas and information among those interestedĪdvocates comprehensive and inclusive education in the visual arts. Promotes excellence in scholarship and teaching in the history and criticism The journal, which welcomes submissions from authors and artists worldwide and at every career stage, is published four times a year in spring, summer, autumn, and winter by the College Art Association.įounded in 1911, the College Art Association.

The mission of Art Journal, founded in 1941, is to provide a forum for scholarship and visual exploration in the visual arts to be a unique voice in the field as a peer-reviewed, professionally mediated forum for the arts to operate in the spaces between commercial publishing, academic presses, and artist presses to be pedagogically useful by making links between theoretical issues and their use in teaching at the college and university levels to explore relationships among diverse forms of art practice and production, as well as among art making, art history, visual studies, theory, and criticism to give voice and publication opportunity to artists, art historians, and other writers in the arts to be responsive to issues of the moment in the arts, both nationally and globally to focus on topics related to twentieth- and twenty-first-century concerns to promote dialogue and debate.

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